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Point of View with Barb Sumner Burstyn - June 9 2003

Keep the corporates under control in media landscape

Click here to read the New Zealand Herald edition of this column... 

There is something a little discomforting about the media furore over the alleged fraud at Te Mangai Paho, the Maori broadcasting agency.

Certainly, if the full extent of the allegations has substance, big changes are needed within the agency. But the attack on Te Mangai Paho smacks of the old collective colonial "I told you so". Not racism exactly, more a subtle sense that this type of white-collar crime is somehow unique to brown skins.

What is also disturbing is Rodney Hide and others using an allegedly dishonest employee and a faulty chain of information from the agency to the minister as an excuse to push a political agenda - the idea that corporate-run media would better serve New Zealand, and that taxpayer dollars shouldn't be wasted on race-based broadcasting, or, by association, other Government-supported cultural organisations.

So what if we did hand over all the funders and broadcasters to the corporate world? What would our media landscape look like?

Well, probably a lot like the one in the United States. There, corporate ownership of broadcasting is about all there is. But rather than the ideal of the market place - a range of media companies competing with each other across a range of products (television, newspapers and radio) to represent the views of their various constituencies - there is a handful of media behemoths, owning all the media and reflecting very little but their corporate agendas.

But if it was bad before, it just got worse. Last week the supposedly independent Federal Communications Commission, the organisation charged with overseeing the media industry in the US, voted to remove the barriers that blocked total deregulation of the media.

The move provoked passionate opposition from civil rights, consumer, labour, religious, journalism, academic and community groups. Deregulation opponents say the move represents the complete abandonment of public concerns and effectively shuts out independents and small fry.

In effect, there is a placing of creative direction in the hands of a few executives, with parent companies hungry for profit and uncomfortable with risk.

Being risk-averse means diversity suffers, views are synthesised, opinions, and that information which doesn't fit with the political, spiritual or social beliefs of company owners are suppressed or at best relegated to the media fringes.

But Americans have been here before. In 1996 the radio industry was similarly deregulated. Now most stations are strictly satellite feeds running identical programmes, chosen at company headquarters. The only local content is when DJs pre-record their voices with a two-second station ID, which is then mixed into the generic patter.

The radio industry has become the motif for the downsides of media consolidation: political censorship and monopolistic practices. Extrapolate that and you begin to understand the dearth of new music and the abundance of Britneys.

The American public knows this. About 750,000 of them wrote to the Federal Communications Commission opposing the rule changes. But perhaps the commission staff were all away from their desks when they brought the mail in, taking one of the 2500 holidays ($2.8 million worth) provided for them by the same companies that had the most to gain from last week's decision.

In fact, commission chairman Michael Powell (a George W. Bush appointee and, wouldn't you know it, Colin's son), the main mover behind the rule changes, was reported to be among the chief recipients of the first-class flights, luxury-hotel suites and other favours that the media giants used to influence the decision-making process. Not that anyone seemed to mind.

Perhaps it's just a case of when good markets go bad. Bob Williams, a Pulitzer Prize-winning investigative journalist, has followed the commission for some time. His reporting reads like a phone book of collusion and dishonesty, and reveals in detail how the major US networks teamed up to lobby for the proposed changes.

So much for the illusion that a free market equals a competitive one. Or the vision of a deregulated broadcasting and media arena being free and unbiased, and representing divergent views on a wide range of subjects.

The US is the proving ground of free-market philosophy. We should look to it and take note. A media landscape that contains a mix of publicly funded organisations and controls the size of private ones is our best hope for a media environment that represents all that we are and can be.

Although Te Mangai Paho needs to sort out its problems, we should not make those issues the reason for closing it down. It should continue to be funded precisely because it represents diversity. It enables not just Maori to have a voice but for the rest of us to have the opportunity to hear and see that voice, free from corporate agendas.

And not just Te Mangai Paho. We should be vigorously supporting all our funding bodies and publicly funded media, be they Maori TV, Radio New Zealand, the Film Commission, New Zealand on Air or the Arts Council.

These agencies ensure that New Zealand continues to have a real identity. Without them, cultural diversity is dead and an ignorant monoculture will flourish.

ENDS

© Barbara Sumner Burstyn, 2003

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